<\/p>\n
The Ulysses Theatre is announcing this season\u2019s newest play, Rhinoceros<\/em> by Eug\u00e8ne Ionesco directed by Lenka Udovi\u010dki \u2013 the opening night will be on the 31st of July in the Fortress Brioni Minor (Tvr\u0111ava Minor<\/em>) on the island of Mali Brijun. <\/strong><\/p>\n In a small provincial town a hitherto unknown epidemic is decimating the population, turning the unfortunately infected into – rhinoceroses. So absurd a situation unambiguously reveals itself to be a metaphor about conformism and relativism which, erasing the lines between good and evil, generate fertile ground for the totalitarianisms of all sorts, that is to say any kind or form of government which seeks to stifle the freedom of thought. Today that takes the form of the passive dictatorship that is raising one\u2019s arms in chorus, a sort of demotatorship<\/em> which is but a parody of what democracy really signifies and means.<\/p>\n Kafka\u2019s The Metamorphosis<\/em> served as a source of inspiration to Ionesco, as well as his personal internal conflict with the birth of Nazism at the time as an individual. With that transparent personal case he spoke honestly of ideological contamination – something more than familiar to us all as we live in an era of general, mental and spiritual pollution. When we look around us, what we see is a flood of meaningless words, dangerous stances, prejudices, all sorts of spectres, radical behaviour\u2026<\/p>\n Today as well this play by Ionesco is welcome on every stage and reaches our ears with ease, ears which are well-tuned to understanding it. This is so because, at times, the future is most clear by peeking back into history itself. Rhinoceros<\/em> excites, forces one to reflect, frightens, induces laughter, but also helps formulate the right questions. We recognise ourselves in them: once we begin to accept the current trends and become part of the herd, once we begin to bow down to the opinions of the majority from simple fear of being judged, once we begin to close a blind eye in order to protect our careers… The natural tendency of every human being is to assimilate him or herself into a group, a group of like-minded people, but this group ought not be a reason for losing one\u2019s individuality due to a fear loneliness without it, but ought to instead become a channel for expressive potential, which only in solidarity with other individuals can achieve an ennobled, true form.<\/p>\n Rhinoceros<\/em> is a play in which, for better or worse, contemporary man and woman recognise themselves.<\/p>\n Performing in the production will be Bojan Dimitrijevi\u0107, Mladen Vasary, Damir \u0160aban\/Filip Nola, Maja Posavec, Dado \u0106osi\u0107, Deni Sankovi\u0107, Anja Sabol, Tonka Mr\u0161i\u0107, Gala Nikoli\u0107, Martin Gr\u0111an, Vanda Velagi\u0107 <\/strong>and Rok Juri\u010di\u0107. <\/strong><\/p>\n The dramaturgy is by \u017deljka Udovi\u010di\u0107 Ple\u0161tina<\/strong>, costume design by Bjanka Ad\u017ei\u0107 Ursulov<\/strong>, stage design by Zdravka Ivandija Kirigin<\/strong>, choreography by Sta\u0161a Zurovac<\/strong>, music by Nigel Osborne<\/strong> and lyrics by Davor Rocco<\/strong>. Light design by Andrej Hajdinjak<\/strong>, piano and musical direction by Karlo Hubak<\/strong>, projection design by Ivan Maru\u0161i\u0107 Klif<\/strong>, assistant scenography by Matej Kniewald.<\/strong>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":" The Ulysses Theatre is announcing this season\u2019s newest play, Rhinoceros by Eug\u00e8ne Ionesco directed by Lenka Udovi\u010dki \u2013 the opening night will be on the 31st of July in the Fortress Brioni Minor (Tvr\u0111ava Minor) on the island of Mali Brijun. In a small provincial town a hitherto unknown epidemic is decimating the population, […]<\/p>\n","protected":false},"author":3014,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-22152","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/posts\/22152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/users\/3014"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/comments?post=22152"}],"version-history":[{"count":3,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/posts\/22152\/revisions"}],"predecessor-version":[{"id":22155,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/posts\/22152\/revisions\/22155"}],"wp:attachment":[{"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/media?parent=22152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/categories?post=22152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ulysses.hr\/en\/wp-json\/wp\/v2\/tags?post=22152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}