Kolektiv Igralke i Rajna Racz: MOTHERS

Rajna Racz

If I don't become a mother... will I end up alone? If I don't become a mother, will they call me an "old maid"? If I don't become a mother, will I experience unconditional love? If I don't become a mother, will I regret it when it's too late?

A. Hemon: The World and Everything in It / Bejturan and the Rose

Selma Spahić

The World and Everything in It" confronts us with questions about what love can survive, in what forms it appears, and whether it is a sufficient driving force to keep one alive even in the most extreme circumstances.

Sophocles: Antigone – 2000 years later

Lenka Udovički

We have to speak up about contemporary times, of course, start a dialogue about the questions which bother and surround us, about giddiness of people who passionately bow to those who win. On the other side we have to speak up about the problem of well-known megalomania and wars, as well as history that not only defines, but rules our contemporaneity.

Paula Vogel: HOW I LEARNED TO DRIVE

Tara Manić

"How I Learned to Drive" by Paula Vogel is a text often described as a “Lolita” told from a female perspective – that of the adult Li’l Bit, who looks back on her childhood...

W. Shakespeare: King Lear

Lenka Udovički

Of all of Shakespeare's dramas, King Lear needs to be ushered into the landscape more than any other, and, as Kott observed, even the most daring set design is an arbitrary and inadequate decoration.  King Lear's introduction into the landscape and choice of time-frame constantly raise the question: When and where?

BELGRADE DRAMA THEATRE: I. Martinić / based on the film by L Visconti TWILIGHT OF THE GODS (GÖTTERDÄMMERUNG)

Jagoš Marković

Everything is connected, or rather condensed into one ghostly, macabre night celebrating the fall of old Germany and the birth of Nazism.

A Streetcar Named Desire

A Streetcar Named Desire is a dramatic work that literary factography classified as a classic almost at the very moment of its creation, thus probably making its topicality, at that time, timeless and recognisable even here and today.

Zijah A. Sokolović: The Actor… Is an Actor.. Is an Actor

Zijah A. Sokolović

His monodrama "The Actor... is an Actor... is an Actor" is a cult performance that premiered at MESS in Sarajevo in 1978...

ROUTE: E. Ionesco: THE BALD SOPRANO

Jagoš Marković

Just as there is typically no civilisation whose peaks haven't produced their own absurdities as convincing confirmations of continuity...

RUTA: N.Gazvoda: Shy Breath

Nejc Gazvoda

One year after their father’s sudden death, a distant family gathers to offer the youngest daughter, whom everyone calls Mala and who is about to start her studies in Ljubljana, as much advice and love as possible...

N. Bogdanović: IF I WERE A BIRD

Arija Rizvić

The play "If I Were a Bird" tells the story of a young married couple who, together with their daughter, flee from besieged Sarajevo in the late 1990s.

RUTA: D. Jovanović: THE LIFE OF PROVINCIAL PLAYBOYS AFTER THE SECOND WORLD WAR OR WE WANT WHAT’S NOT OURS – WE WON’T GIVE UP WHAT’S OURS

Dušan Jovanović

The comedy The Life of Provincial Playboys or We Want What’s Not Ours – We Won’t Give Up What’s Ours stands out at first glance in Dušan Jovanović’s early dramatic works by quite faithfully maintaining the form of comedy..

Who’s afraid of Virginia Woolf?

Lenka Udovički

Who's Afraid of Virginia Woolf? A piece that has been winning over both theatre and film audiences for half the century, finds within itself the humorous elements of black, dark, wild comedy, but also elements of melodrama, tragedy, slapstick and even satire; with theatrical calls to question social conventions in an original and powerful way that places this play amongst anthological achievements in world literature.